“At Memory’s Edge: Climate Trauma in the Arctic Through Film.”
Eds., Subhankar Banerjee, TJ Demos and Emily Eliza Scott. The Routledge Companion to Contemporary Art, Visual Culture and Climate Change. Routledge, London, 2021, 194-203.
“Planetary Precarity and feminist environmental art practices in Antarctica.”
Janet Wilson. Journal of Postcolonial Writing (Taylor and Francis), Volume 56, Issue 3, August 2020.
“About Things Loved: Blackness and Belonging.”
Exhibition Review of an exhibition at the Berkeley Art Museum. Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture. September 2019.
Online here
“Archives of Knowledge and Endangered Objects in the Anthropocene: From Chernobyl to Polar Landscapes in the Work of Lina Selander and Amy Balkin.”
Eds., Susi K. Frank, Kjetil A. Jacobsen, Arctic Archives: Ice, Memory and Entropy. New York: Columbia University Press, 2019, 269-284.
“Martha Rosler and Hito Steyerl: War Games.”
Exhibition Review, Kunstmueum-Gegenwart, (Basel, Switzerland).” Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture. September 4, 2018.
Online here
“Hauntological Environmental Art: The Photographic Frame and the Nuclear After-Life of Chernobyl in Lina Selander’s “Lenin’s Lamp.”
Eds., Lisa Cartwright and Elizabeth Wolfson. Journal of Visual Culture. Special issue titled “Affect at the Limits of Photography.” Fall, 2018.
“Antarctica: Feminist Art Practices and Disappearing Polar Landscapes.”
Eds., Klaus Dodds, Alan J. Hemmings and Peder Robers, Handbook on the Politics of the Antarctic. London, Edward Elgar Publishing Ltd., 2017: 175-190.
“Invisible Landscapes: Extreme Oil and the Arctic in Experimental Film and Activist Art Practices.”
Eds., Anna Stenport, Scott Mackenzie, and Lill-Ann Korber, Arctic Environmental Modernities:Arctic Exploration to the Era of the Anthropocene. London, Palgrave, 2017: 183-195.