In Daniel Rosenberg, Practicing Jews: Art, Identity and Culture. University of Wisconsin, Madison, 2009).
Online here
Category Archives: Visual Culture, Photography, and Film
“Introduction.”
To The Scholar and the Feminist Online: Special Issue ‘Gender On Ice,’ with L. Bloom, written in collaboration with E. Glasberg and L. Kay. (7.1: Fall 2008).
“Polar Fantasies and Aesthetics in the Work of Isaac Julien and Connie Samaras.”
In The Scholar and the Feminist (Barnard Center for Research on Women, New York City, Issue 7.1: Fall 2008).
“Barbies’ Jewish Roots: Jewish Women’s Bodies and Feminist Art.”
Nathan Abrams (ed.) Jews and Sex, London, Nottingham: Five Leaves, 2008: 121-137.
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“True North: Isaac Julien’s Aesthetic Wager.”
Republished in German and English in Isaac Julien: True north: Fantôme Afrique, edited by Veit Görner and Eveline Bernasconi : [Distributed in North America by] D.A.P., Distributed Art Publishers, 2006: 42-45.
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“True North: Isaac Julien’s Aesthetic Wager.”
In Isaac Julien: True North. Mak Center for Art and Architecture and the Museum of Contemporary Art, Miami, 2005: 7-15.
“Creating Transnational Women’s Art Communities in Asia.”
In Amelia Jones, The Feminism and Visual Culture Reader. London: Routledge, 2003: 18-21
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“Gender, Race and Nation in Japanese Contemporary Art and Criticism.”
The Visual Culture Reader, ed. Nicholas Mirzoeff. London: Routledge, 2002: 215-226.
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“Gender, Nationalism, and Internationalism in Japanese Contemporary Art: Some Recent Writings and Work.”
In n.paradoxa: international feminist art journal, vol. 5 (London, England, 2000): 35-43.
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“Rosie at Home: Life Magazine and the Remaking of the American Nation-State During World War II.”
“Rosie at Home: Life Magazine and the Remaking of the American Nation-State During World War II.” Rim: Pacific Rim Women's Studies Association Journal, vol. 1, no.7. March 1999: 32-46.
“Contests for Meaning in Body Politics and Feminist Art Discourses of the 1970s: The Work of Eleanor Antin.”
Performing the Body/Performing the Text, eds., Amelia Jones and Andrew Stephenson. London: Routledge, 1999: 153-169.
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“Writing Your Own Script: Revisioning the 1970s and the 1980s Through the Work of Eleanor Antin.”
In Eleanor Antin, Eds. Howard N. Fox, Lisa E. Bloom, and Eleanor Antin. (New York and Los Angeles: Distributed Art Publishers in Conjunction with the Los Angeles County Museum, 1999):159-189.
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