“Tableaux Vivants, Dying Empires: Eleanor Antin’s The Last Days of Pompeii, Roman Allegories and Helen’s Odyssey (2001-2007).”
Special issue on “Material Histories.” n.paradoxa: international feminist art journal, volume 24, July 2009: 13-2.
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“Ghosts of Ethnicity: Jewish Identities in American Feminist Art.”
In Daniel Rosenberg, Practicing Jews: Art, Identity and Culture. University of Wisconsin, Madison, 2009).
Online here
“Introduction.”
To The Scholar and the Feminist Online: Special Issue ‘Gender On Ice,’ with L. Bloom, written in collaboration with E. Glasberg and L. Kay. (7.1: Fall 2008).
“Polar Fantasies and Aesthetics in the Work of Isaac Julien and Connie Samaras.”
In The Scholar and the Feminist (Barnard Center for Research on Women, New York City, Issue 7.1: Fall 2008).
“Barbies’ Jewish Roots: Jewish Women’s Bodies and Feminist Art.”
Nathan Abrams (ed.) Jews and Sex, London, Nottingham: Five Leaves, 2008: 121-137.
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“The Contradictory Circulation of Fine Art and Antiques on eBay.”
In Everyday eBay: Culture, Collecting, and Desire, eds. Ken Hillis, Michel Petit with Nathan Scott Epley. Routledge, New York, 2006: 231-244.
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“Creating Transnational Women’s Art Communities in Asia.”
In Amelia Jones, The Feminism and Visual Culture Reader. London: Routledge, 2003: 18-21
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“Gender, Race and Nation in Japanese Contemporary Art and Criticism.”
The Visual Culture Reader, ed. Nicholas Mirzoeff. London: Routledge, 2002: 215-226.
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“Reviewing 1970s and 1980s Feminist Art Practices in the 1990s: Three Major Exhibitjons on Judy Chicago, Eleanor Antin and Martha Rosier.”
See my introductory remarks to the College Art Association panel that I chaired in February 2001 and presentations by panelists Alison Rowley, Lucy Sautter, Catherine Caesar, Ruth Wallen, and discussant Alex Alberro. In n.paradoxa: international feminist art journal, issue 14, February 2001.